questions.
answered.

Noise Club is a production and publishing workflow built for musicians who want a repeatable way to run organic social campaigns.

You supply your music, footage and campaign choices. Noise Club turns those approved inputs into short-form posts in rolling production batches, then schedules them across your connected social accounts.

The easiest way to think about it is as production and publishing support built into one controlled workflow.

No.

Noise Club doesn't generate your music, footage or creative identity. It works with your music, your footage and your campaign choices.

The editing workflow was built using conventional computer programming to automate repetitive parts of a normal video-editing process.

The repetitive stuff: working through song sections and footage, assembling vertical edits, placing your chosen text, preparing posts and scheduling finished content across your connected platforms.

They're all jobs you could do yourself. Noise Club exists so you don't have to keep doing them yourself.

No. You choose what appears on screen. Noise Club executes those choices consistently; it doesn't decide what you should say.

No. Noise Club doesn't reply to comments, send messages, follow people, manufacture engagement or pretend to be you.

It edits and posts the content you've asked it to. You remain the human behind the account.

No. There are no follow/unfollow bots, automated comments, fake likes or other nonsense. Noise Club automates production and publishing, not human interaction.

Noise Club certainly isn't going to promise it.

A post made through Noise Club faces the same platforms and algorithms as something you upload manually. The music, footage, on-screen text, audience, timing and a fair amount of internet randomness still matter.

Noise Club's job is simpler: help you keep showing up.

Consistency is difficult. Making, exporting and cross-posting content several times a week while also making music, working and having a life is a substantial workload.

Noise Club makes that workload manageable and keeps the campaign editable: try another song section, remove footage that is not working, add a new hook or upload fresh performance footage before the next production run.

Yes. Noise Club is built around consistently publishing your own content and letting the platforms find an audience for it.

It isn't a replacement for every other kind of music promotion, and you can still run ads if you want to.

Schedulers are useful, but somebody still has to make all the videos first.

Noise Club combines the video-production and publishing sides of the job. You provide the source material and campaign choices; the workflow handles much more of what happens between that and the finished posts appearing on your socials.

Independent artists, bands and anyone who wants to promote music consistently without turning social media into a second job.

There's also a Label plan for people managing multiple artists or projects.

No. That's rather the point.

No. Use what you've got: music videos, live footage, rehearsals, studio sessions, behind-the-scenes clips, phone footage, visualisers and other video from your project can all be useful.

It doesn't need to arrive as finished vertical social content.

Yes. A larger and more varied footage library gives the workflow more material to work with and more ways to vary a campaign. You can keep adding footage as you create it.

Noise Club prepares footage for vertical social formats while preserving the original frame rather than blindly chopping parts off your video. How it is presented depends on the dimensions of the source footage.

Yes. You can divide songs into sections and control how heavily different sections are used, so you can favour a chorus or give the second verse a chance.

Yes. Campaigns can contain multiple songs, which is useful for EPs, albums, catalogues or simply avoiding three months of the same chorus.

No. Noise Club can vary footage, song sections, on-screen text, text positioning and other elements of the edit.

Variation still depends on what you supply: one clip, one line of text and one song section naturally gives the workflow fewer combinations than a larger library.

Noise Club works in manageable batches rather than preparing months of content in one go. That gives you a chance to see what's coming and lets the campaign evolve while it's running.

Yes. Your planner shows upcoming scheduled content so you can check what is going out and when, rather than blindly handing over your accounts and hoping for the best.

Noise Club is designed to publish across major social platforms including Instagram, Facebook, YouTube, TikTok, Threads and Bluesky.

Availability and individual publishing features can change because the social networks control their own publishing systems. Current connection options are shown inside Noise Club.

For normal social connections, no. Platforms use their own authorisation systems so you can connect an account without handing Noise Club your password.

If a particular connection uses a different method, Noise Club will tell you before you connect it.

Yes. You're in control of which accounts are connected.

Occasionally, yes. Social networks can have outages, reject uploads, change APIs or place restrictions on an account or feature. Noise Club tracks publishing status where the platform makes that information available.

Trial Reels are an Instagram feature that lets eligible accounts test a Reel with people who don't already follow them. Eligibility and behaviour are controlled by Instagram, not Noise Club.

A campaign brings together the music, footage, song sections, hooks, captions, hashtags, publishing choices and cadence for something you want to promote.

It remains editable while it runs, so you can keep changing what Noise Club has to work with.

Yes. You can cancel a campaign if you want it to stop.

Anything already published stays published, but future unpublished campaign work is stopped through the cancellation controls in your dashboard.

Label accounts are for people managing more than one artist or project. Each artist can have separate music, footage, campaigns and social connections inside one Noise Club account.

Despite the name, no actual record label is required. Managers, agencies and people running multiple projects can use it too.

No. Your original music and footage remain yours.

Noise Club needs permission to store and process material you upload in order to provide the service; that is covered in the Terms of Service. Using Noise Club does not make us your record label.

Your music and footage are stored as part of your Noise Club libraries and used for the campaigns you ask Noise Club to run. The Privacy Policy and Terms of Service explain how files and account data are handled.

That depends on how much you currently post and how quickly you work.

The job Noise Club is replacing isn't just clicking publish. It's finding footage, making the edit, choosing the song section, adding text, exporting, preparing the post, uploading to several platforms and remembering to do it all again.

That's the bit we want off your plate.

Because its founder needed it. Noise Club started as a way for an independent musician and professional video editor to keep promoting music while also working, freelancing and raising a family.

The longer version is on the Founder page.

The useful rather than miraculous kind: steady organic movement from consistent posting during its own use and early testing.

That experience is not a guarantee for another artist. Noise Club gives you consistency and repeatable testing, not a guaranteed result.

A workflow that turns your own music, footage and campaign choices into finished social content and gets it scheduled without you manually rebuilding every post.

One dashboard. One monthly subscription. A lot less repetitive admin. Hopefully, a few more free evenings too.